Should terrorist have miranda rights based on the constitution Essay

Should terrorist have miranda rights based on the constitution - Essay Example Seen in a political and historical context, since times immemorial, constitutions around the world though being sacrosanct tend to be dependent on a plethora of factors in terms of the extension of rights and their interpretation. Historically speaking right from the times of the Greeks, the city states drafted and exercised their constitutions in the light of the geo-political environment amongst which they were placed and the consequent friends and enemies they had to contend with (Manferedi 127). In a post 9/11 scenario, America has found itself in a precarious and unique situation where it happens to be the choicest target of international terrorist organizations. Hence, the constitution should aptly respond to these peculiar circumstances by denying all democratic rights to the terrorists, including the Miranda Rights. One major aspect of Miranda Rights is that the Constitution does recognize the fact that there may be exceptional circumstances, posing a grave threat to public safety, where the extension of Miranda Rights to a suspect may not be pragmatic and safe. In New York v. Quarles (1984), the US Supreme Court did recognize the fact that in circumstances where there is a clear and imminent danger to public safety, exceptions to Mirada Rights are constitutionally relevant. Now, after the gargantuan loss and bloodshed America had to bear with in the 9/11 terror attacks, the very existence of a terrorist pose a clear and imminent threat to public safety. So automatically the terrorists should be excluded from the ambit of safety extended by the Miranda Rights. Terrorists are not like regular criminals to whom the Miranda Rights are extended by the Constitution. At the basis of most of the regular crimes lie two reasons, either need or some form of mental illness. However, terrorists do not kill people because they are in need or are mentally challenged. Rather, most of the

Discuss the role of the Foot Posture Index in the clinical assessment Essay

Discuss the role of the Foot Posture Index in the clinical assessment of the foot. Is this a reliable measure - Essay Example ric dimensions to predict certain concepts about the foot, and this can be enhanced by using a three dimensional model and approach to the foot (Choie, 1991). Advancements in technology and computers have allowed many to consider replacing the expert last marker with some type of computer design. Some individuals have created presentations of the foot in third-dimensional designs using Bezier curves (Lord, M., Foulston, J., & Smith, P. J., 1991). These types of models can help individuals in the grazing and sizing areas. Yavatkar (1993) created a model of a person’s foot using I-DEAS graphics and programming. He was able to create this third dimensional model of the foot by lofting four segments (forefoot to instep, instep to medial-lateral malleolus level, malleolus to lateral point of heel, and heel part) within the foot. One could determine the accuracy of this model by taking a look at the outside and indsie of the foot form. The volume outside was around 50 000 [mm.sup.3], whereas the amount within the foot was approximately 27 000 [mm.sup.3]. However, whether one can use this model to generalize is not efficiently known overa ll since he only used one foot for the model (DeBor, 1978). It is known, however, that aspects of computer-aided design have been used in order to make orthopedic shoe uppers as well as some custom footwear (Houle, Beaulie, and Liu, 1998). In order to make the approach to foot measuring more efficient, B-spline surface modeling techniques, regression and recursive methods to make a basic third dimensional foot model using basic anthropometric measures can be used. B-splines can be studied in order to create an example for using within the sphere of computer-aided design software. (Choi, 1991). Within this concept. B-splines are generally considered as the best curve or surface representation. This is usually because they have a very helpful set of properties, which include continuity, local shape controllability, spatial

Primary Prevention of Childhood Obesity Lab Report - 1

Primary Prevention of Childhood Obesity - Lab Report Example g is a factor for a child’s potential body weight in the near future, the article that I have chosen supports its claims through testing of certain samples of mothers who breastfeed and those who do not and the effects of such on their children’s eating patterns at the time they become one-year olds. Conducted by several medical practitioners, the article is entitled straightforwardly the â€Å"Association of Breastfeeding with Maternal Control of Infant Feeding at Age 1 Year.† The objective of course was not just to prove that there is an existing relation between breastfeeding and obesity but to examine whether due to breastfeeding in the first six months of a baby’s life, the mother become less restrictive and less controlling of their children’s food intake, and they become more attuned with the children’s needs, if the child is hungry or not. Since there is no restriction or controls around, this gives the children the opportunity to regulate their own needs of energy intake and less chance of becoming obese (Taveras, et al, 2004). Specifically, the article proves this theory by studying the association between the occurrences of breastfeeding in the babies’ first six months, the extent of such breastfeeding and the mothers’ actions with regard to these children’s access to food after one year. To discuss the details, the researchers provided modified Child Feeding Questionnaires at 1 year postpartum for the sample mothers to measure whether the mothers at this time are restricting their children’s food intake or pressuring their children to consume more food. By restricting, it means that the mothers are actually conscious of the amount of food they are feeding to their children, making sure that it is not too much. The logic of this testing is to see whether the children’s eating patterns were being controlled by the time they reach one year of age, and this is correlated with the occurrence or non-occurrence of breastfeeding in the

Paranoid Schizophrenia: They’re Out To Get Me Essay examples -- Menta

Paranoid Schizophrenia: They’re Out To Get Me Introduction Paranoid Schizophrenia is a serious psychotic disorder that impairs a person’s perception of reality, causing the mind to lose contact with the real world. This disorder greatly affects one’s ability to negotiate the activities of everyday life, such as school, work, or social situations. In 1898, Emil Kraepelin was to the first to provide information regarding schizophrenia naming it â€Å"dementia praecox†, and defining it as a psychosis with an early onset of intellectual deterioration (Schiffman & Walker, 1998). Ten years later, a Swiss psychiatrist, Eugen Bluler renamed the disorder using a combination of the Greek words â€Å"skhizein† and â€Å"phren† meaning split mind (Barlow & Durand, 2011). He believed the unusual behaviors were a split from the basic functions of personality and reality. Today, there are misconceptions about the term schizophrenia in which society confuses a split mind with a split personality. The broad definiti on of schizophrenia continues to be researched and narrowed into subtypes with specific presenting characteristics. Paranoid schizophrenia is one of the five major sub-types listed in the Fourth Edition of the Diagnostic Statistical Manual of Mental Disorders; Text-Revised (DSM-IV-TR) with the list continuing to expand as the criteria identifies specific related symptoms or behaviors (American Psychiatric Association, 2000). Although this disorder only afflicts 1% of the total population of the United States, this amounts to over 3 million people living with the disorder. Diagnosis Diagnosis of this syndrome typically occurs in late adolescence through early adulthood with the onset of behaviors marking deterioration in the abilit... .... (2010). The history of mental illness: From "skull drills" to "happy pills". Student Pulse, 02(09), 1-4. Retrieved from http://www.studentpulse.com/articles/283/the-history-of-mental-illness-from-skull-drills-to-happy-pills Maguire, G. A. (2002). Comprehensive understanding of schizophrenia and its treatment. American Journal of Health-System Pharmacists, 59(5), 4-11. doi: 1079-2082/02/0901Maguire, National Institute of Health. National Institute of Health, National Institute of Mental Health. (2009). Schizophrenia (09-3517). Retrieved from U.S. Department of Health and Human Services website: http://www.nimh.nih.gov/health/publications/schizophrenia/schizophrenia-booket-2009.pdf Schiffman, J. & Walker, E. F. (1998). Schizophrenia. In H. Friedman (Ed.) The Disorders: Specialty Articles from the Encyclopedia of Mental Health. Academic Press: New York.

The Hunters: Phantom Chapter 32

Matt watched in horror as the phantom shook Damon like a rag dol . Elena spun around to lock eyes with Matt and Bonnie. â€Å"We have to save him,† she whispered, a fierce determination on her face, and immediately took off running, shoving her way through the piles of ash. Matt figured that if Damon, with al his vampire strength and fighting skil s honed over the centuries, was so completely helpless in the hands of this phantom – and jeez, with the way it was yanking him back and forth now, his head real y was going to pop off – then Matt, Bonnie, and Elena had less than a snowbal ‘s chance in hel of making any difference to this fight. The only real question would be whether the phantom would kil them, too. And the truth was that Matt didn't even like Damon, not one tiny little bit. Sure, Damon had helped save Fel ‘s Church from Katherine and Klaus, and from the kitsune demons, but he was stil a murderous, sarcastic, unrepentant, cocky, arrogant, nasty, usual y unpleasant vampire. Damon had undoubtedly hurt more people than he had helped over his long life, even if you generously credited him with saving every single resident of Fel ‘s Church. And he always cal ed Matt â€Å"Mutt,† pretending that he couldn't remember his actual name, which was completely infuriating. As Damon meant it to be. Stil , Elena loved Damon. For whatever reason. Probably the same inexplicable reason that regular girls loved regular old bad boys, Matt suspected. A dyed-in-the-wool good guy, he'd never seen the appeal himself. But Elena did. And Damon was part of the team, sort of, and you didn't leave your teammates to get decapitated by demon icewomen on ash-blanketed moons in other dimensions without at least doing your best to put up a fight. Not even if you didn't like them at al . Matt ran after Elena, and Bonnie fol owed. When they reached the phantom, Elena was already scrabbling at the icy blue hand clutched around Damon's throat, trying to pry its fingers up enough to slip her own underneath. The phantom barely glanced at her. Matt gave an inward sigh at the hopelessness of it al and swung a powerful roundhouse blow toward the phantom's stomach. Before his fist could connect, his target turned from ice to swirling, intangible mist, and his punch passed right through the phantom. Thrown off balance, Matt staggered and fel into the phantom's now-vaporous torso. It was like fal ing into a freezing-cold river of sewage. A numbing chil and a horrible, sickening smel washed over Matt. He pul ed back out of the mist, nauseous and shivering but upright. He blinked dazedly around. Elena was grappling with the phantom's fingers, scratching and yanking, and the phantom watched her with a kind of distant amusement, not the least bit alarmed or discomforted by the girl's efforts. Then it moved, so quickly Matt saw only a blur of bluish green, sending Elena flying, her arms and legs flailing, into a heap of ash. She scrambled to her feet immediately, blood trickling from her hairline, leaving red tracks through the ash that now coated her skin. Bonnie was trying, too: She'd worked her way around behind the phantom and was hitting and kicking at it. Mostly, her feet and fists swung harmlessly right through the phantom's mist, but occasional y a blow would connect with the more solid ice. These blows seemed like they were total y ineffective, though: Matt couldn't tel whether the phantom had even noticed Bonnie was attacking it. Veins were bulging out of Damon's face and neck, and he hung from the phantom's hand. The flesh of his neck was white around the stretched tendons. Superpowered strong old vampire or not, Damon was hurting. Matt tossed up a prayer in the direction of whatever saint looked after people pursuing hopeless causes, and threw himself back into the fight. There was blackness. And then there was pain, and the darkness reddened, then cleared, and Damon could see once more. The phantom – that bitch of a phantom – was holding him by the neck, and her skin was so cold, so cold it burned everywhere it touched him. He couldn't move. But he could see Elena standing below him. Beautiful Elena, covered in ash, streaked with blood, her teeth bared and her eyes flashing like a warrior goddess. His heart swel ed with love and fear. The brave little redbird and the boy Mutt fought beside her. Please, he wanted to say. Don't try to save me. Run. Elena, you have to run. But he couldn't move, couldn't speak. Then the phantom shifted her stance and, as Damon watched, Elena stopped her attack and clutched at her stomach, grimacing in pain. Matt and Bonnie were holding themselves as wel , their faces pale and strained, their mouths open in screams. With a wail, Bonnie col apsed. Oh no, Damon thought with a bolt of horror. Not Elena. Not the redbird. Not for me. Then suddenly, a gusting wind swirled around him, and he was flung from the phantom's grip. There was a roaring in his ears and a stinging in his eyes. Looking around, he saw Bonnie and Elena, their long hair flying around them wildly; Matt, his arms pinwheeling; and the phantom, its glass-green face for once startled instead of knowing. Tornado, Damon thought vaguely, and then, Gateway, and he realized he was being thrown upward, back into the darkness once more. The wind was howling at a deafening pitch now, and Stefan had to raise his voice to a shout to even hear himself over it. He had to keep both hands clamped down on the book – it was being pul ed out of his hands as if something alive and very strong were consciously trying to yank it away. â€Å"Mihi adi. Te voco. Necesse est tibi parere,† Stefan said. â€Å"Come to me. I summon you. You must obey.† That was the end of the summoning spel in Latin. The next part was the banishing spel , which would be in English. Of course, the phantom would have to actual y be there for that part of the spel to be effective. The wind whipping through the garage grew even stronger. Outside, thunder rumbled. Stefan watched the innermost circle, deep in the shadows of the garage, but there was nothing there. The unnatural wind was beginning to let up. Panic rose in his chest. Had they failed? He glanced anxiously at Alaric and Meredith, then at Mrs. Flowers, but none of them were looking at him, staring transfixed at the circle. Stefan looked back into it, hoping against hope. But there was nothing there. Wait. There was the faintest movement of something, right in the center of the circle, the tiniest flash of blue-green light, and along with it came a chil . Not like the cold wind that had spun through the garage, but more like an icy breath – inhale and exhale, inhale and exhale – slow and steady and freezing cold, right from that one spot. The glimmer widened, deepened, darkened, and suddenly what Stefan was looking at shifted and changed from an amorphous glimmer to a woman. An icy, misty, giant woman tinted in shades of blue and green. Inside her chest was a deep red rose, its stem a solid mass of thorns. Meredith and Celia let out audible gasps. Mrs. Flowers stared calmly, while Alaric's jaw had dropped. This must be the jealousy phantom. Stefan had always thought of jealousy as burning hot. Fiery kisses, fiery anger. But anger, lust, envy, al the things that made up jealousy, could be cold, too, and he had no doubt that they had the right phantom. Stefan noticed al these things about the phantom and forgot them again in a split second, because it wasn't just the ice-woman who materialized at the center of the circle. Confused, weeping, staggering, streaked with ash and mud, three humans had appeared there as wel . His beautiful, elegant Elena, caked in grime, her golden hair tangled and matted, lines of blood running down her face. Delicate little Bonnie, tearstained and pale as milk, but with an expression of fury as she kicked and clawed at the phantom. And al -American, always reliable Matt, dusty and disheveled, turning to peer out at them with a peculiarly blank expression, as if simply wondering what fresh hel he'd landed in now. And then one more person, a fourth figure wobbling and gasping, the last to shimmer into view. For a moment, Stefan didn't recognize him – couldn't recognize him, because this man wasn't supposed to exist anymore. Instead he just felt like a hauntingly familiar stranger. The stranger put his hands to his throat protectively and looked out of the circle, straight at Stefan. Through a bloody, swol en lip and bruised slits of eyes, the ghost of a bril iant smile appeared, and the gears of Stefan's mind slotted into place and began to turn again at last. Damon. Stefan was so flabbergasted he didn't know what to feel at first. Then, deep within him, a slow warmth spread with the realization that his brother was back. The last piece left of al his strange history was here once again. Stefan wasn't alone. Stefan took a step forward toward the edge of the diagram, holding his breath. â€Å"Damon?† he said softly, wonderingly. Jealousy snapped its head toward him, and Stefan was pinned to his spot by its glassy cold gaze. â€Å"He came back before, you know,† it said conversational y, and its voice chil ed Stefan as if ice water had been thrown in his face. â€Å"He just didn't want you to know so he could have Elena al to himself. He's been lurking around, lying low, playing tricks like he always does.† Jealousy was undoubtedly feminine, and its cool observational tone reminded Stefan of the little voice that sometimes spoke from the back of his mind, cal ing out his darkest and most shameful thoughts. Could the others even hear it? Or was it speaking straight into his mind? He risked a glance around. They al – Meredith, Celia, Alaric, Mrs. Flowers – stood stil as statues, staring at Jealousy. Behind them, the makeshift beds lay empty. When the three sleepers' astral forms had entered the circle with the phantom, their bodies must have somehow joined them, making them solid within the inner circle. â€Å"He came to Elena,† the phantom taunted. â€Å"He kept his resurrection a secret from you so that he could pursue her. Damon didn't worry for a moment about how you felt about his death. And while you were busy mourning him, he was busy visiting Elena's bedroom.† Stefan reeled backward. â€Å"He always wants what you have, and you know it,† the phantom continued, its translucent lips curving in a smile. â€Å"It's been true since you were mortals. Remember how he came home from university and stole Katherine away from you? He used al his charms on her, just because he knew you loved her. Even with the smal things: If you had a toy, he'd take it. If you wanted a horse, he'd ride it. If there was a piece of meat on the platter between you, he'd take it even if he wasn't hungry, just so you wouldn't get it.† Stefan shook his head slowly from side to side, again feeling too slow, like he had once again missed the important moment. Damon had been visiting Elena? When he had cried on her shoulder about his fal en brother, had Elena known Damon was alive? â€Å"But you thought you could trust Elena, didn't you, Stefan?† Elena turned to stare at him, her cheeks pale beneath their coating of ash. She looked sick and apprehensive. â€Å"No, Stefan – † Elena started to say, but the phantom went swiftly on, its words soothingly spoken poison. Stefan knew what it was doing. He wasn't a fool. Yet he felt himself nodding, agreeing, a slow red anger rising inside him despite his more rational self's struggle against it. â€Å"Elena kept his secret from you, Stefan. She knew you were in pain and that knowing Damon was alive would have eased that suffering, but stil she kept silent, because Damon asked her to, and what Damon wanted was more important than helping you. Elena's always wanted both of the Salvatore brothers. It's funny, real y, Stefan, how you're never quite enough for the women you love. This isn't the first time Elena's chosen Damon over you, is it?† Elena shook her head, but Stefan could barely see her through the tide of fury and misery rising up inside him. â€Å"Secrets and lies,† the phantom went on merrily, with an icy tinkling laugh, â€Å"and foolish Stefan Salvatore always a few steps behind. You've known al along there was something between Elena and Damon that you weren't part of, Stefan, and yet you would never have suspected she'd betray you for him.† Damon seemed to snap out of his daze, as if suddenly hearing the phantom for the first time. His brows drew into a heavy frown and he slowly turned his head to stare at it. He opened his mouth to speak, but at that moment, something in Stefan broke, and before Damon could issue whatever denial or taunt was on the tip of his tongue, Stefan lunged forward with a shout of rage, plunging straight through the chalked diagram. Faster than the human eye could fol ow, Stefan knocked Damon backward out of the circle and threw him against the far wal of the garage.

Racial, Social, and Symbolic Elements in Desirees Baby...

When I think about starting over, I am often reminded of Armand in the story of â€Å"Desiree Baby†. Armand, the protagonist in the story built a bonfire in the efforts of trying to erase away the memory of his wife Desiree, and his son. Armand’s bonfire symbolizes Armand wanting to start over and forget his past. Throughout the short story many elements of symbolism was used to convey a central message those include discussing symbols of racism, social class distinction, and the symbolic elements involving the difference between the gender roles. In â€Å"Desiree Baby†, author, Chopin emphasizes racism by selecting certain words to symbolize the association between light and darkness, and the slaves on the plantation. The association†¦show more content†¦The slaves working in Armand’s home was associated with a lighter color that could implicate racism. Zandrine the nurse is â€Å"yellow† completed. In the story Zandrine the yellow nurse fanned herself and looked out the window over the fields. Racism between the cotton pickers and Armand was clearly present. The slave of darker pigmentation was outside working in the field. Zandrine and La Blanche’s son had a light complexion and were allowed to do work in the home. Armand treatment of the slaves indicated that he look at them more as a possession than black human beings (Cummings). Armand conviction of Desiree race was racist. Armand went to the extremes of abandoning his wife and child conveys acts of racial discrimination towards the blacks. In the story Chopin expresses symbolism within the social class distinction by placing one race in a higher social ranking than the other and, by the abandonment of on e race. In â€Å"Desiree Baby† Chopin shows how one skin color defines social class, and determines the value and identity of another (Cummings).For the majority of the story, Armand is clearly looked upon as a white male of class and wealth, until the end of the story. He owns land in L’ Abri, and he has a plantation full of African Americans working for him as slaves. Armand have slaves to do his work for him. He also expresses an individual class between the races of the slaves. The lighter slaves worked inside with his

Marketing Supply Chain Management and Zara - 2184 Words

ee Designing a Customer-Driven Strateg y and Mix VIDEoCase Progressive Progressive has attained top-tier status in the insurance industry by focusing on innovation. Progressive was the first company to offer drive-in claims services, installment payment of premiums, and 24/7 customer service. But some of Progressive s most innovative moves involve its channels of distribution. Whereas most insurance companies distribute their products to consumers via intermediary agents or direct-to-consumer methods, Progressive was one of the first companies to recognize the value in doing both. In the late 19805, it augmented its agency distribution with a direct toll-free-number channel. In 1995, Progressive moved into the future by†¦show more content†¦11 5 also prolific. In a typical year, Zara launches about 11,000 new items. Compare that to the 2,000 to 4,000 items introduced by bot h HM and Gap. In the fashion world, this difference is huge. Zara stores receive new merchandise two to three times each week, whereas most dothing retailers get large shipments on a seasonal basis, four to six times per year. As part of its strategy to introduce more new items with greater frequency, Zara also produces items in smaller batches. Thus, it assumes less risk if an item doesn t sell well. But smaller batches also means exclusivity, a unique benefit from a massmarket retailer that draws young fashionistas through Zara s doors like a magnet. When items sell out, they are not restocked with another shipment. Instead, the next Zara shipment contains something new, something different. Popular items can appear and disappear within a week. Consumers know that if they like something, they have to buy it or miss out. Customers are enticed to check out store stock more often, leading to very high levels of repeat patronage. 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